Hedwig and the Angry Inch
It’s a common theme amongst Hedwig and the Angry Inch die-hard fans. Affectionately known as “Hed-Heads”, we gather together at live performances of the show as often as we can. Scrunched together at the wobbly tables inside The Boom, we quiz each other on how many times we’ve seen Hedwig, when and where we first saw it, and what number we’re on for witnessing this cast. Counting myself amongst the most dedicated of Hed-Heads, this is a welcome conversation starter.
On this… Continue reading
Renowned stage and screen writer John Cameron Mitchell and musician Stephen Trask’s Hedwig and the Angry Inch is not a musical. It’s a rock narrative, disguised as theatre, which is disguised as a drag show, and it’s all balled up into the fire and fury of one wronged woman. It’s a middle American tragedy set in the back alley dive bars that decorate our country, playing host to the down and outs and the would be rock stars on open mic nights. And it’s unapologetically and… Continue reading
Internationally ignored yet universally loved, Hedwig and the Angry Inch is a hard-rock musical that takes no prisoners and makes its own rules. It is welcome in theatre much like its title character, Hedwig Robinson, makes her own way in the world; by not really fitting right in anywhere. Hedwig is born Hansel Schmidt, a gay man who faces a miserable fate in East Germany (remember THAT border wall?). Hansel is heavily influenced by American radio and learns the story of Plato’s Symposium, a tale that’s relayed in the iconic… Continue reading